Chroma Key

维库，知识与思想的自由文库

Chroma key is a technique for blending two images, in which a color (or a small color range) from one image is removed (or made transparent), revealing another image behind it. This technique is also referred to as color keying, color-separation overlay (CSO; primarily by the BBC^[1]), greenscreen, and bluescreen. It is commonly used for weather forecast broadcasts, wherein the presenter appears to be standing in front of a large map, but in the studio it is actually a large blue or green background.

目录 1 The process 2 Clothing 3 Background 4 Even lighting 5 See also 6 References

[编辑] The process

The principal subject is filmed or photographed against a background consisting of a single color or a relatively narrow range of colors, usually blue or green because these colors are considered to be the furthest away from skin tone. When the phase of the chroma signal corresponds to the preprogrammed state or states associated with the desired color(s), the signal of the alternate background is composited and presented as the output. When the phase of the chroma signal deviates from the chosen color, the principal video is presented at the output. This process is commonly known as "keying", "keying out" or simply a "key".

[编辑] Clothing

A chroma key subject must not wear clothing similar in color to the chroma key color(s) (unless intentional), because the clothing may be replaced with the background video. An example of intentional use of this is when an actor wears a blue covering over a part of their body to make it invisible in the final shot.

[编辑] Background

Blue is generally used for both weather maps and special effects because it is complementary to human skin tone. However, in many instances, green has become the favored color because digital cameras retain more detail in the green channel and it requires less light than blue. Although green and blue are the most common, any color can be used. Occasionally, a magenta background is used.

With better imaging and hardware, many companies are avoiding the confusion often experienced by weather presenters, who must otherwise watch themselves on a monitor to see the image shown behind them, by lightly projecting a copy of the background image onto the blue/green screen. This allows the presenter to accurately point and look at the map without referring to monitors.

[编辑] Even lighting

The most difficult part of setting up a bluescreen or greenscreen is even lighting and the avoidance of shadow, because it is ideal to have as narrow a color range as possible being replaced. A shadow would present itself as a darker color to the camera and might not register for replacement. This can sometimes be seen in low-budget or live broadcasts where the errors cannot be manually repaired. The material being used affects the quality and ease of having it evenly lit. Materials which reflect light will be far less successful than those that do not. A plastic sheet will reflect light and have a hotspot in the center which will come out as a pale area, while the edges may be darkened. A cotton sheet will absorb more light and have a more even color range. Recently a much simpler and easier way to create an evenly lit background has been developed. By using screens made from a retroreflective fabric illuminated by a ring of LEDs around the camera lens it is possible to produce very even bright blue or green backgrounds whilst only consuming around five watts of energy. Products such as Reflecmedia`s Chromatte and Litering systems enable chroma key backgrounds to be created very simply and quickly, freeing the user to concentrate on lighting the foreground creatively. The systems are extremely energy efficient and enable users to create virtual studios in areas where space and energy are at a premium.

[编辑] See also

• Chroma key programming
• Composite video
• Federal Standard 1037C

[编辑] References